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I would use such software as often as I'd use a car without a steering wheel. #Vinylstudio mac no input how to#The next time you play the record (perhaps after letting it "rest"), you know exactly how to set the level.Īll this of course assumes there *is* a record level control. When preparing to do a needledrop, one can always play the record and let the software provide a level reading, so you know exactly where the maximum level peak(s) occur(s) and how loud it is. Of course, with live recording from microphones, one never knows how loud the maximum peak is going to be, so I leave lots of headroom, with no worries. When the final level is adjusted, in the digital domain, once the recording is done, the -20 version will provide a cleaner result than the -2 version. With 24-bits, I'd worry less if the maximum peak during that initial digitizing is at -20 than I would if it was at -2. Recording to 16-bits puts a quality ceiling on the result as soon as it is digitized.) (This assumes recording to a 24-bit file. Final levels should be adjusted digitally. In English, this means that initial conversion to digital, which is what a needledrop is, should have the level adjusted so that the loudest peak in the music does not exceed -6 dBFS on the meters. ![]() One thing that will help avoid clipping and more importantly, improve the needledrops overall, is something I discovered over the years in my day-to-day work:Įvery monolithic A-D converter in my experience will exhibit less distortion at -6 (or lower) than it will at -1. I am sure others will weigh in as well who have greater experience. I know others have used devices such as the TC Electronic Impact Twin as the A/D convertor with success. However the sound quality is very good, no issues with timing delays, skips or the like, and no distortion as long as I ensure I am not clipping the inputs. It does take some time to properly split the tracks after recording a side (or two sides) of an album. It is a happy medium between performance, features and cost. I do leverage the meters in Vinyl Studio to ensure I am not clipping the inputs. One does have to adjust the volume on the pre amp based on the record being recorded as the levels vary based on recording. The pre amp in turn is connected to the Apogee Duet which is connected via Firewire to my Macbook. I use it with a Garrard turntable that goes through my pre amp (using the phono inputs). I am using an Apogee Duet to perform the Analog to Digital conversion. ![]() #Vinylstudio mac no input pro#I use it with a Macbook Pro that has a SSD drive, 16 gigs of memory and 2.6 Gz Intel Core i7. That being said I am using Vinyl Studio on my Mac. Ok I am not an expert, so take my thoughts for what they are worth. I would like your expert opinion as to whether you think one of these type of devices will help in resolving the issues I have documented. There are 3 products that I am thinking of purchasing:Ī) Propellaheads Balance USB Audio interface Now for both of these issues, I think that the problem is caused by the limited capability of the sound card in the Mac and I am guessing that I may be able to resolve both of these issues by using an offboard USB device (IE like an external soundcard). I have tested on different devices and this happens consistently so I know its a problem with the recording itself rather than the playback. IE when you play back the audio, there can sometimes be a lot of micro jumps, almost like slight skipping as though small fractions of the audio were not recorded properly and thus are not in the resultant audio. I think this is what is called 'Clipping' but I am not sure.Ģ) I am finding that there are a lot of timing errors in the recorded audio. So the these flaws were as a result of the analogue to digital conversion happening within the sound card of the Mac. At first I thought that it was because of a worn stylus, but when I listened to the audio from the source (IE headphones plugged into the mixer, the audio was flawless). The problems are:ġ) Quite a lot of the recordings I have made are suffering scratchy type noises. With this setup, I have discovered 2 major problems which means that the Vinyl I have recorded so far, will have to be discarded and I'll need to start over. #Vinylstudio mac no input windows#My current setup is Technics SL 1210 MKII, Pioneer DJM-500 mixer, Mac Book Pro running windows 7. I am currently recording my vinyl collection into high resolution Flac files currently using Adobe Audition but looking to buy Vinyl Studio if it can do all I need it to, which on first appearance looks like it can. ![]() |
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